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The featured play is representative of the writer's work. For a more complete list of the plays by the writer, click on the playwright's name.
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by
PRODUCTION HISTORYThe play was orginally commissioned and produced by
the Center Theatre Group/Mark
Taper Forum in Los Angeles in
May 1993. The production was
directed by Emily Mann. Its
New York premiere in March
1994 at the New York
Shakespeare Festival Theatre
was followed by a move to the
Cort Theatre on Broadway, both
under the direction of George
C. Wolfe. The following is a link to a Ford Foundation Report which contains photos from Twilight. CHARACTERSThese are a few of the characters from the play. Originally, all the characters were portrayed by Smith. Josie Morales -- clark-typist, City of Los Angeles; uncalled witness to the Rodney King beating, Simi Valley trial Elvira Evers -- general worker and cashier, Canteen Corporation Anonymous Young Woman -- student, University of Southern California Elaine Brown -- former head of the Black Panther Party; author of A Taste of Power Mrs. Young-Soon Han -- former liquor store owner
SETTINGLos Angeles, 1992, after the Rodney King beating and subsequent trial.
PLAY STRUCTUREThe play is organized into a series of monologues by a myriad of voices.
PRODUCTION NOTESThese are the words of Twilight, the ex-gang member after whom Smith named the play. "Twilight is that time of day between day and night limbo, I call it limbo, and sometimes when I take my ideas to my homeboys they say, well Twilight, that's something you can't do right now, that's an idea before it's time. So sometimes I feel as thought I'm stuck in limbo the way the sun is stuck between night and day in the twilight hours. Nighttime to me is like a lack of sun, but I don't affiliate darkness with anything negative. I affiliate darkness with what came first, because it was first, and relative to my complexion, I am a dark individual and with me being stuck in limbo I see the darkness as myself. And I see the light as the knowledge and the wisdom of the world, and the under- standing of others. And I know in order for me to be a full human being I cannot forever dwell in darkness I cannot f orever dwell in the idea of identifying with those like me and understanding only me and mine."
EXCERPT FROM THE PLAYThis excerpt is entitled "Indelible Substance". JOSIE MORALES, In a conference room at her workplace, downtown Los Angeles. We lived in Apartment A6 right next to A8, which is where George Holliday lived. And, um the next thing we know is, um ten or twelve officers made a circle around him and they started to hit him. I remember that they just not only hit him with stick, they also kicked him, and one guy, one police officer, even pummeled his fist into his face, and they were kicking him. And then we were like "O, my goodness," and I was just watching. I felt like "Oh my goodness" 'cause it was really like he was in danger there, it was such an oppressive atmosphere. I knew it was wrong - whatever he did - I just knew in my heart this is wrong - you know they can't do that....
PUBLICATION HISTORYNew York: Doubleday, 1994. |
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