women of color women of words
dissertations



These are dissertations written in the United States regarding the following playwrights. The information was gathered using Dissertations Abstracts.

You can order dissertations online from UMI.

CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
KENNEDY PARKS SANCHEZ SHANGE SMITH

VINNETTE CARROLL

  • McClinton, Calvin Andre. Vinnette Carroll: African American Director/Playwright. Wayne State University. PhD 1997.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    ALICE CHILDRESS

  • Beal, Suzanne E. "Mama Teach Me French": Mothers and Daughters in Twentieth Century Plays by American Women Playwrights. University of Maryland College Park. PhD 1994.

  • Brown, Elizabeth B. "Shackles on a Writer's Pen": Dialogism in Plays by Alice Childress, Lorraine Hansberry, Adrienne Kennedy, and Ntozake Shange. The University of North Carolina at Chapel Hill. PhD 1996.

  • Brown, Elizabeth. Six Female Black Playwrights: Images of Blacks in Plays by Lorraine Hansberry, Alice Childress, Sonia Sanchez, Barbara Molette, Martie Charles, and Ntozake Shange. The Florida State University. PhD 1980.

  • Dugan, Olga. Useful Drama: Variations on the Theme of Black Self-Determination in the Plays of Alice Childress, 1949-1969. The University of Rochester. PhD 1998.

  • Joseph, Elsie May. Black and White Literature in America: A Course Design in Rhetorical Interpretation of Five Genres. The Catholic University of America. D.A. 1984.

  • Lisker, Donna E. Realist Feminism, Feminist Realisms: Six Twentieth-Century American Playwrights. The University of Wisconsin-Madison. PhD 1996.

  • Marler, Myrna Dee. Representations of the black male, his family, culture, and community in three writers for African-American young adults: Mildred D. Taylor, Alice Childress, and Rita Williams-Garcia. University of Hawaii. PhD 2001.

  • Nadler, Paul D. American Theatre and the Civil Rights Movement, 1945-1965. City University of New York. PhD 1995.

  • Price-Hendricks, Margo Jennett. The Roaring Girls: A Study of Seventh-Century Feminism and the Development of Feminist Drama. University of California, Riverside. PhD 1987.

  • Vojta, Barbara R. In Praise of American Women: Female Image in the Plays of Alice Childress. New York University. PhD 1993.

  • Wattley, Ama Sayidda. Yonder comes the blues: Sexual politics, women's relationships, and the plays of contemporary black women dramatists. Rutgers the State University of New Jersey. PhD 2001.

  • Wells, Ida Maxwell. Anxiety and Orange Blossoms: Sexual Economics in Wedding Texts by Grace Lumpkin, Eudora Welty, and Alice Childress. Louisiana State University and Agricultural and Mechanical College. PhD 2000.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    RITA DOVE

  • Boynton, Victoria Anne. Sexciting Ethos: Women Speakers in Recent North American Writing. State University of New York at Binghamton. PhD 1995.

  • Cottingham, Reid. Postwork poetics: Contemporary American poetry and the disappearance of work. University of Chicago. PhD 2001.

  • Cummings, Allison Murray. "the Gender on Paper": Women in American Poetry Movements, 1975-1995. University of Wisconsin-Madison. PhD 1995.

  • Hufstader, Jonathan. Coming to Consciousness: Lyric Poetry as Social Discourse in the Work of Charles Simic, Seamus Heaney, Tom Paulin, Tony Harrison, and Rita Dove. Harvard University. PhD 1993.

  • Keyes, Carol. Language's "bliss of unfolding" In and Through History, Autobiography and Myth: The Poetry of Rita Dove. University of New Hampshire. PhD 1999.

  • Mickle, Mildred R. Trans-pictives: Image as cognitive medium in African American poetry. University of North Carolina at Chapel Hill. PhD 2002.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    ALICE DUNBAR-NELSON

  • Brooks, Kristina Margaret. Transgressing the Boundaries of Identity: Racial Pornography, Fallen Women, and Ethnic Others in the Works of Pauline Hopkins, Alice Dunbar-Nelson, and Edith Wharton. University of California, Berkeley. PhD 1995.

  • Broussard, Jinx Coleman. Lifting the veil of obscurity: Four Black women journalists, 1890--1950. The University of Southern Mississippi. PhD 2001.

  • Collins-Friedrichs, Jennifer Lee. Constructing community: Nineteenth-and-early-twentieth century women's regionalist writing. The Claremont Graduate University. PhD 2000.

  • Diggs, MaryLynne. Sex, Race, and Resistance: Scientific Authority and the Politics of Identity in American Literature. University of Oregon. PhD 1994.

  • Ijeoma, Charmaine N. Alice Dunbar-Nelson's Short Stories: An Afrocentric Analysis. Temple University. PhD 1998.

  • O'Neal, Mary Anne. New Orleans Realists: Grace King, Kate Chopin, and Alice Dunbar-Nelson. University of Georgia. PhD 1999.

  • Osaki, Lillian Temu. Contested boundaries: Race, class and gender in the writings of four Harlem Renaissance women writers. University of Florida. PhD 2000.

  • Perry, Imani. Dusky justice: Race in United States law and literature, 1878--1914. Harvard University. PhD 2000.

  • Plastas, Melinda Ann. 'A band of noble women': The WILPF and the politics and consciousness of race in the women's peace movement, 1915--1945. State University of New York at Buffalo. PhD 2001.

  • Sempreora, Margot Sahrbeck. Translating Women: The Short Fiction of Kate Chopin and Alice Dunbar-Nelson and the Films of Julie Dash. Tufts University. PhD 1997.

  • Smith, Katharine Capshaw. 'For the children of the sun': African American children's literature, 1914--1954. University of Connecticut. PhD 2000.

  • Stouck, Jordan W. The feminine creole: Identity in the works of Jean Rhys, Alice Dunbar-Nelson and Pauline Melville. Queen's University at Kingston. PhD 2001.

  • Williams, Ruby Ora. An In-depth Portrait of Alice Dunbar-Nelson. University of California, Irvine. PhD 1974.

  • Young, Patricia Alzatia. Female Pioneers in Afro-American Drama: Angelina Weld Grimke, Georgia Douglas Johnson, Alice Dunbar-Nelson, and Mary Powell Burrill. Bowling Green State University. PhD 1986.

  • Zink, Abbey Lynn. Between the lines: The New Woman as journalist and fiction writer. Northern Illinois University. PhD 2001.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    P.J. GIBSON

  • Adams, Julyette T. Keepers of the Oral Tradition: An Afrocentric Analysis of Representative Plays by African-American Females, 1970-1984. Bowling Green State University. PhD 1995.

  • Brown, Elizabeth B. "Shackles on a Writer's Pen": Dialogism in Plays by Alice Childress, Lorraine Hansberry, Adrienne Kennedy, and Ntozake Shange. The University of North Carolina at Chapel Hill. PhD 1996.

  • Thompson, Lisa Bernadette. Sex talk: Black middle class women represent sexuality. Stanford University. PhD 2000.

  • Wattley, Ama Sayidda. Yonder comes the blues: Sexual politics, women's relationships, and the plays of contemporary black women dramatists. Rutgers the State University of New Jersey. PhD 2001.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    WHOOPI GOLDBERG

  • Fraiberg, Allison Mandie. Beyond Indiscretion: Agency, Comedy, and Contemporary American Women's Writing and Performance. University of Washington. PhD 1993.

  • Highland, Nathalie M. Performing the Single Voice: The One-Woman Show in America. Bowling Green State University. PhD 1997.

  • Hodgen, Wendi Ann. An examination of the unlikely success of Whoopi Goldberg as a new kind of movie icon. San Jose State University. PhD 2001.

  • Mask, Mia Luise. Divas of the silver screen: Black women in American film, 1950--present. New York University. PhD 2001.

  • Lavin, Suzanne. Women and Comedy in Solo Performance: Phyllis Diller, Lily Tomlin, and Roseanne. University of Colorado at Boulder. PhD 1997. [Briefly discusses Goldberg in conclusion]

  • Pressler, Terra Daugirda. Transformative Comedy: An Emerging Genre. University of Oregon. PhD 1988.

  • Silverman, Stanley Ronald. An Exploratory Study of the Effects of Humor on Depression and Hopelessness of Incarcerated Males. University of Maryland College Park. PhD 1994.

  • Stanley, Tarshia Lorraine. Icono-Clash: Whoopi Goldberg and the (re)Presentation of Black Women in Hollywood Film. University of Florida. PhD 1999.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    SHIRLEY GRAHAM (DU BOIS)

  • Beal, Suzanne E. "Mama Teach Me French": Mothers and Daughters in Twentieth Century Plays by American Women Playwrights. University of Maryland College Park. PhD 1994.

  • Christian, S. Four African-American Female Playwrights, 1910-1950: The Narratives of Their Historical, Genteel, and Black Folk Voodoo Plays. City University of New York. PhD 1995.

  • Lambert, Jasmin L. Resisting the 'Hottentot' Body: Themes of Sexuality and Femininity in Select Plays by Female Playwrights from the Harlem Renaissance. Bowling Green State University. PhD 1998.

  • Thompson, Robert Dee, Jr. A Socio-Biography of Shirley Graham-Du Bois: A Life in the Struggle. University of California, Santa Cruz. PhD 1997.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    ANGELINA WELD GRIMKE

  • Beemyn, Brett William. A Queer Capital: Lesbian, Gay, and Bisexual Life in Washington, DC, 1890-1955. University of Iowa. PhD 1997.

  • Berg, Allison B. Mothering the Race: Women's Narratives of Reproduction, 1899-1928. Indiana University. PhD 1993.

  • Castro, Nancy Elizabeth. Breeding Problems: The Anti-Procreative Problematic and American Trans-National Narratives. Columbia University. PhD 1998.

  • Cole, Carole L. The Search for Power: Drama by American Women, 1909-1929. Purdue Univesity. PhD 1991.

  • Gray,A. Rudy. The African American Male's Family Relationships in Black Plays: Their Evolution and Meaning. City University of New York. PhD 1994.

  • Larabee, Anne E. First-Wave Feminist Theatre, 1890-1930. State University of New York at Binghamton. PhD 1988.

  • Lewis, Ruth Bartlett. Angelina Weld Grimke, Reformer. Ohio State University. PhD 1962.

  • Miller, Erika M. The Other Reconstruction: Where Violence and Womanhood Meet in the Writings of Ida B. Wells-Barnett, Angelina Weld Grimke, and Nela Larsen. Stanford University. PhD 1996.

  • Osaki, Lillian Temu. Contested boundaries: Race, class and gender in the writings of four Harlem Renaissance women writers. University of Florida. PhD 2000.

  • Stubbs, Carolyn Amonitti. Angelina Weld Grimke: Washington Poet and Playwright. George Washington University. PhD 1978.

  • Wagner, Wendy. Family Matters: Motherhood and the Reproduction of Race in African-American Women's Writing, 1859 to 1933. Duke University. PhD 1996.

  • Young, Patricia A. Female Pioneers in Afro-American Drama: Angelina Weld Grimke, Georgia Douglas Johnson, Alice Dunbar-Nelson, and Mary Powell Burrill. Bowling Green State University. PhD 1986.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    LORRAINE HANSBERRY

  • Abramson, Doris Elizabeth. A Study Of Plays By Negro Playwrights: From 'Appearances' To 'A Raisin In The Sun' (1925-1959) . Columbia University. PhD 1967.

  • Annan, Adaku T. Revolution as Theater: Revolutionary Aesthetics in the Works of Selected Black Playwrights. The University of Wisconsin-Madison. PhD 1987.

  • Anwar, Waseem. A psychosemiotic study of silence in selected plays by African American women dramatists. Indiana University of Pennsylvania. Phd 2001.

  • Bavaria, Richard E. A Value Analysis of Four Fathers from Secondary School Literature: Pap, Atticus, Willy, and Walter (Twain; Lee; Hansberry; Miller). University of Maryland College Park. PhD 1987.

  • Beal, Suzanne E. "Mama Teach Me French": Mothers and Daughters in Twentieth Century Plays by American Women Playwrights. University of Maryland College Park. PhD 1994.

  • Brown, Elizabeth B. "Shackles on a Writer's Pen": Dialogism in Plays by Alice Childress, Lorraine Hansberry, Adrienne Kennedy, and Ntozake Shange. The University of North Carolina at Chapel Hill. PhD 1996.

  • Brown, Elizabeth. Six Female Black Playwrights: Images of Blacks in Plays by Lorraine Hansberry, Alice Childress, Sonia Sanchez, Barbara Molette, Martie Charles, and Ntozake Shange. The Florida State University. PhD 1980.

  • Effiong, Philip U. In Search of a Model for African American Drama: The Example of Lorraine Hansberry, Amiri Baraka and Ntozake Shange. The University of Wisconsin-Madison. PhD 1994.

  • Friedman, Sharon P. Feminist Concerns in the Works of Four Twentieth-Century American Women Dramatists: Susan Glaspell, Rachel Crothers, Lillian Hellman, and Lorraine Hansberry. New York University. PhD 1977.

  • Grant, Robert H. Lorraine Hansberry: The Playwright as Warrior-Intellectual. Harvard University. PhD 1982.

  • Gray,A. Rudy. The African American Male's Family Relationships in Black Plays: Their Evolution and Meaning. City University of New York. PhD 1994.

  • Hardin, Shirley H. Reconciled and Unreconciled Strivings: A Thematic and Structural Study of the Autobiographies of Four Black Women (Angelou, Brooks, Hansberry, Hurston). The Florida State University. PhD 1988.

  • Hayes, Donald. An Analysis Of Dramatic Themes Used By Selected Black- American Playwrights From 1950-1976 With A Backgrounder: The State Of The Art Of The Contemporary Black Theater And Black Playwriting. Wayne State University. PhD 1984.

  • Humphries, Eugenia. Lorraine Hansberry: The Visionary American Playwright. The State University of New York at Stony Brook. PhD 1988.

  • Jung, Buyung-Eon. The Politics of Decolonization: Race, Power, and Ideology in Contemporary American Drama. The Louisiana State University and Agricultural and Mechanical College. PhD 1995.

  • Keppel, Ben G. "The Work of Democracy": Ralph Bunche, Kenneth B. Clark, Lorraine Hansberry, and the Cultural Politics of Racial Equality. University of California, Los Angeles. PhD 1992.

  • Lisker, Donna E. Realist Feminism, Feminist Realisms: Six Twentieth-Century American Playwrights. The University of Wisconsin-Madison. PhD 1996.

  • Marre, Diana K. Traditions and Departures: Lorraine Hansberry and Black Americans in Theatre. University of California, Berkeley. PhD 1987.

  • Nadler, Paul D. American Theatre and the Civil Rights Movement, 1945-1965. City University of New York. PhD 1995.

  • Meyers, Mary Kay Zettl. Closure in the Twentieth-Century American Problem Play. University of Delaware. PhD 1992.

  • McKelly, James Crisley. True Wests: Twentieth Century Portraits of the Artist as a Young American. Indiana University. PhD 1990.

  • Plotkin, Wendy. Deeds of Mistrust: Race, Housing, and Restrictive Covenants in chicago, 1900-1953. University of Illinois, Chicago. PhD 1999.

  • Sohn, Hongeal. Literature and Society: African-American Drama in American Race Relations. University of Iowa. PhD 1993.

  • Stubbs, Mary F. Lorraine Hansberry and Lillian Hellman: A Comparison of Social and Political Issues in Their Plays and Screen Adaptations. Indiana University. PhD 1990.

  • Todd, Diane M. The American dream in literature: Women and ethnics need not apply. Indiana University of Pennsylvania. Phd 2000.

  • Wood, Deborah J. The Plays of Lorraine Hansberry: Studies in Dramatic Form. The University of Wisconsin-Madison. PhD 1985.

  • Young, Brenda J. Baldwin and Hansberry as "Privileged Speakers": Two Black Writers and the Civil Rights Movement, 1955-1965. Emory University. PhD 1996.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    GEORGIA DOUGLAS JOHNSON

  • Beal, Suzanne E. "Mama Teach Me French": Mothers and Daughters in Twentieth Century Plays by American Women Playwrights. University of Maryland College Park. PhD 1994.

  • Cole, Carole L. The Search for Power: Drama by American Women, 1909-1929. Purdue Univesity. PhD 1991.

  • Henderson, Dorothy F. Georgia Douglas Johnson: A Study of Her Life and Literature. The Florida State University. PhD 1995.

  • Lambert, Jasmin L. Resisting the 'Hottentot' Body: Themes of Sexuality and Femininity in Select Plays by Female Playwrights from the Harlem Renaissance. Bowling Green State University. PhD 1998.

  • O'Brien, Colleen Claudia. Contested visions of a new republic: Race, sex, and the body politic in American women's writing, 1850--1938. University of Michigan. PhD 2001.

  • Osaki, Lillian Temu. Contested boundaries: Race, class and gender in the writings of four Harlem Renaissance women writers. University of Florida. PhD 2000.

  • Reid, Margaret Ann. A Rhetorical Analysis of Selected Black Protest Poetry of the Harlme Renaissance and of the Sixties. Indiana University of Pennsylvania. PhD 1980.

  • Young, Patricia A. Female Pioneers in Afro-American Drama: Angelina Weld Grimke, Georgia Douglas Johnson, Alice Dunbar-Nelson, and Mary Powell Burrill. Bowling Green State University. PhD 1986.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    ADRIENNE KENNEDY

  • Abraham, Teresa T. Carnivalesque and American Women Dramatists of the Sixties. State University of New York at Stony Brook. PhD 1990.

  • Anwar, Waseem. A psychosemiotic study of silence in selected plays by African American women dramatists. Indiana University of Pennsylvania. PhD 2001.

  • Augsburg, Tanya. Private Theatre Onstage: Hysteria and the Female Medical Subject from Baroque Theatricality to Contemporary Feminist Performance. Emory University. PhD 1996.

  • Barnett, Claudia. This Fundamental Challenge to Identity: Reproduction and Representation in th Drama of Adrienne Kennedy. Ohio State University. PhD 1994.

  • Beal, Suzanne E. "Mama Teach Me French": Mothers and Daughters in Twentieth Century Plays by American Women Playwrights. University of Maryland College Park. PhD 1994.

  • Borim, Dario. Borders and Selves: Contemporary Autobiography of Brazil and the Americas. University of Minnesota. PhD 1997.

  • Brown, Elizabeth B. "Shackles on a Writer's Pen": Dialogism in Plays by Alice Childress, Lorraine Hansberry, Adrienne Kennedy, and Ntozake Shange. The University of North Carolina at Chapel Hill. PhD 1996.

  • Crespy, David Allison. Alberwilde's Nexus of New Play Development: The Playwright's Unit, 1963 to 1971. The City University of New York. Phd 1998.

  • Eke, Maureen N. Some of Us are Brave: A Configuration of Revolutionary Black Women Dramatists. Indiana University. PhD 1994.

  • Evan, Raima. Subversive Acts: Gender, Representation, and Race in Contemporary Feminist Theatre. University of Pennsylvania. PhD 1994.

  • Jung, Buyung-Eon. The Politics of Decolonization: Race, Power, and Ideology in Contemporary American Drama. The Louisiana State University and Agricultural and Mechanical College. PhD 1995.

  • Kintz, Linda. The Dramaturgy of Subject(s): Refining the Deconstruction and Construction of the Subject to Include Gender and Materiality. Unviersity of Oregon. PhD 1986.

  • Nadler, Paul D. American Theatre and the Civil Rights Movement, 1945-1965. City University of New York. PhD 1995.

  • Rodriguez, Barbara R. Generic Revisions: Form, Personhood, and Self-Representation in Autobiography by American Women Writers of Color. Harvard University. PhD 1993.

  • Sell, Michael Thomas. Performing Crisis: Countercultural Theatre and the 60s. University of Michigan. PhD 1997.

  • Singh, Yvonne Marie. Stages in the Funnyhouse: The Dramaturgy of Adrienne Kennedy. Cornell University. PhD 1998.

  • Stevenson, Sarah Lansdale. Presence and representation: Intersections of corporeality and metatext in the work of female playwrights from Elizabeth Robins to Paula Vogel. New York University. PhD 2001.

  • Walters, Wendy Susan. A Dramatic Evolution of the Colonial Subject: Imagining Authorship in the Performance of History. Cornell University. PhD 2000.

  • Williams, Mance Raymond. The Color of Black Theatre: A Critical Analysis of the Black Theatre Movement of the 1960's and 1970's. University of Missouri. PhD 1980.

  • Wood, Jacqueline E. Performance and African-American Women: Three Contemporary Dramatists. University of Florida. PhD 1998.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    SUZAN-LORI PARKS

  • Anwar, Waseem. A psychosemiotic study of silence in selected plays by African American women dramatists. Indiana University of Pennsylvania. PhD 2001.

  • Dixon, Kimberly Dawn. Taking place as we speak: The construction, expression and interpretation of black female identity in the careers of Regina Taylor, Anna Deavere Smith, and Suzan-Lori Parks. Northwestern University. PhD 2000.

  • Morales, Michael Alexander. Vivisecting the Nation's Body: Ritual, Blood Sacrifice in the Work of Luis Valdez, August Wilson and Suzan-Lori Parks. Stanford University. PhD 1999.

  • Phillips, Michael Leroy. Twentieth Century Scientific Theory As an Interpretive Tool for Dramatic Literature. University of Oregon. PhD 1996.

  • Schachter, Beth Ann. Shapes, forms, and shadows: The search for the self in the plays of Shawn, Nagy, Wellman and Parks. City University of New York. PhD 2000.

  • Sivak, Nadine. 'Howwe gonna find my me?': Postcolonial identities in contemporary North American drama and film. University of Toronto. PhD 2000.

  • Wolff, Tamsen. Mendel's theatre: Performance, eugenics, and early twentieth-century American drama. Columbia University. PhD 2002.

  • Wood, Jacqueline E. Performance and African-American Women: Three Contemporary Dramatists. University of Florida. PhD 1998.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    SONIA SANCHEZ

  • Adams, Julyette T. Keepers of the Oral Tradition: An Afrocentric Analysis of Representative Plays by African-American Females, 1970-1984. Bowling Green State University. PhD 1995.

  • Brown, Elizabeth. Six Female Black Playwrights: Images of Blacks in Plays by Lorraine Hansberry, Alice Childress, Sonia Sanchez, Barbara Molette, Martie Charles, and Ntozake Shange. The Florida State University. PhD 1980.

  • Flowers, Sandra Hollin. A Poetics of the Poetry, Drama, and Fiction Associated with Afro-American Cultural and Revolutionary Nationalism, 1963-72. Emory University. PhD 1989.

  • Frost, Elizabeth A. The Feminist Avant-Garde in American Poetry. University of California, Los Angeles. PhD 1994.

  • Hammad, Lamia Khalil. Contemporary United States women of color theorize subversion through cross-genre writing. Indiana University of Pennsylvania. PhD 2001.

  • Heacock, Maureen C. Sounding a Challenge: African-American Women's Poetry and the Black Arts Movement. University of Minnesota. PhD 1995.

  • Highland, Nathalie M. Performing the Single Voice: the One-Woman Show in America. Bowling Green State University. PhD 1997.

  • Iadonisi, Richard Alan. "Like Ray Charles is to Country": Otherness and the American Haiku. Indiana University. PhD 1999.

  • Ingram, Elwanda Deloris. Black Women: Literary Self Portraits. University of Oregon. PhD 1980.

  • Jennings, Regina B. The X-Factor Influence on the Transformed Image of Africa in the Poetry of Haki Madhubati and Sonia Sanchez: Issues of Re(Re)Naming and Inversion. Temple University. PhD 1993.

  • Reid, Margaret Ann. A Rhetorical Analysis of Selected Black Protest Poetry of the Harlem Renaissance of the Sixties. Indiana University of Pennsylvannia. PhD 1980.

  • Quinn, Richard Allen. Playing together: Improvisation in postwar American literature and culture. University of Iowa. PhD 2000.

  • Rosenthal, James S. Opposing Oppositions: Competition for Authenticity in United States Ethnic Writing, 1960-1983. University of Colorado at Boulder. PhD 1995.

  • Shouse, Elaine Marie. An Analysis of the Poetry of Three Revolutionary Poets: Don L. Lee, Nikki Giovanni, and Sonia Sanchez. University of Illinois at Urbana-Champaign. PhD 1976.

  • Wilkinson, Michelle Joan. 'In the tradition of revolution': The socio-aesthetics of Black and Puerto Rican arts movements, 1962--1982. Emory University. PhD 2001.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    NTOZAKE SHANGE

  • Adams, Julyette T. Keepers of the Oral Tradition: An Afrocentric Analysis of Representative Plays by African-American Females, 1970-1984. Bowling Green State University. PhD 1995.

  • Alexander, Elizabeth. College: An Approach to Reading African-American Women's Literature. University of Pennsylvania. PhD 1992.

  • Anderlini, Serena M. Gender and Desire in Contemporary Drama: Lillian Hellman, Natalia Ginzburg, Franca Rame and Ntozake Shange (American, Jewish, Italian). University of California, Riverside. PhD 1987.

  • Anwar, Waseem. A psychosemiotic study of silence in selected plays by African American women dramatists. Indiana University of Pennsylvania. PhD 2001.

  • Benjamin, Shanna Greene. A(unt) Nancy's web: Tracing threads of Africa in black women's literature. University of Wisconsin at Madison. PhD 2002.

  • Bost, Suzanne Michell. Mulattas and Mestizas: Mixed Identity in Women's Writing of the Americas, 1850-1996. Vanderbilt University, 1997.

  • Brown, Elizabeth B. "Shackles on a Writer's Pen": Dialogism in Plays by Alice Childress, Lorraine Hansberry, Adrienne Kennedy, and Ntozake Shange. The University of North Carolina at Chapel Hill. PhD 1996.

  • Brown, Elizabeth. Six Female Black Playwrights: Images of Blacks in Plays by Lorraine Hansberry, Alice Childress, Sonia Sanchez, Barbara Molette, Martie Charles, and Ntozake Shange. The Florida State University. PhD 1980.

  • Byrne, Mairead Clare. Full figures: How metaphor, example, and childbirth make culture. Purdue University. PhD 2001.

  • Cho, Nancy J. Staging Ethnicity in Contemporary American Drama. University of Michigan. PhD 1995.

  • Carney, Sean C. Artaud, Genet, and Shange: The Absence of the Theatre of Cruelty. University of Alberta. Master's Thesis, 1994.

  • Dragion, Regina Maria. Breaking the Ice: Representations of White Women in Civil Rights Movement Novels, 1954-1994. Auburn University. PhD 1999.

  • Drake, Jennifer A. Arts Activism in America: Cultural Hybridity and Representation. State University of New York at Binghamton. PhD 1996.

  • Effiong, Philip U. In Search of a Model for African American Drama: The Example of Lorraine Hansberry, Amiri Baraka and Ntozake Shange. The University of Wisconsin-Madison. PhD 1994.

  • Eke, Maureen N. Some of Us are Brave: A Configuration of Revolutionary Black Women Dramatists. Indiana University. PhD 1994.

  • Foster, Karen K. De-Tangling the Web: Mother-Daughter Relationships in the Plays of Marsha Norman, Lillian Hellman, Tina Howe, and Ntozake Shange. University of Nebraska-Lincoln. PhD 1994.

  • Geis, Deborah R. Mythmaking and Storytelling: The Monologue in Contemporary American Drama. University of Michigan. PhD 1988.

  • Gillespie, Carmen R. Visions of the Goddess: Self-Affirmation and Contemporary African-American Women Writers: A Womanist Reading. Emory. PhD 1991.

  • Gray, Nancy. Slaying the Phantom: Voices of Experience in Experimental Writing by Women. University of Washington. PhD 1988.

  • Gresham, Sallie M. Images of Goddesses and Goddess Worship; The Use of Feminist Spirituality in the Works of Audre Lorde, Ntozake Shange, and Alice Walker. University of Louisville. Master's Thesis, 1994.

  • Hammad, Lamia Khalil. Contemporary United States women of color theorize subversion through cross-genre writing. Indiana University of Pennsylvania. PhD 2001.

  • Ingram, Elwanda Deloris. Black Women: Literary Self Portraits. University of Oregon. PhD 1980.

  • Irving, Antonette Kristen. Shameless discourse: Theorizing black female sexualities and narrative authority. New York University. PhD 2000.

  • Jay, Julia De Foor. Women's Identity Formation and the Intersecting Conepts of Gender, Race, and Class in the Plays of Ntozake Shange, Beth Henley, and Cherrie Moraga. University of Houston. PhD 1994.

  • Koolish, Lynda Lee. A Whole New Poetry Beginning Here: Contemporary Women Poets. Stanford. PhD 1981.

  • Kuhel, Patty J.F. Remembering the Goddess Within: The Functioning of Fairy Tale and Mythic Motifs in the Novels of Hurston, Walker, Morrison, and Shange. University of Tulsa. PhD 1990.

  • Leedham, Nicola Elizabeth. Afrocentric Mythology and Cultural Retentions in the African American Novel. University of South Carolina. PhD 1995.

  • Lester, Neal A. Ntozake Shange's Development of the Choreopoem. Vanderbilt University. PhD 1988.

  • Magee, Robin. Creating an Authentic Performance of African American and Female Identity in the American Style: Ntozake Shange's Spell No.7. Michigan University. Master's Thesis, 1996.

  • Mance, Ajuan M. Locating the Black Female Subject: American Women's Poetry and the Evolving Landscape of African American Womanhood. University of Michigan. PhD 1995.

  • McCormick, Adrienne L. Practicing Poetry, Producing Theory: Op/Positional Poetics in Contemporary Multi-Ethnic American Poetries. University of Maryland, College Park. PhD 1998.

  • Mirro Oberg, Julya Marie. Ancestry or innate belief: The correlation between Yoruba culture and themes prevalent in contemporary plays by Black women. Virginia Commonwealth University. MFA 2000.

  • Olaniyan, Tejumola. The Poetics and Politics of "Othering": Contemporary African, African-American, and Caribbean Drama, and the Invention of Cultural Identities. Cornell University. PhD 1991.

  • Phillips, Rebecca S. The Emerging Female Hero in the Fiction of Alice Walker, Ntozake Shange, Ursula Le Guin, and Barbara Kingsolver. West Virginia University. PhD 1998.

  • Powell, Stephanie D. Using the Sense God Gave Ya': The Prominence of Motherwit in the Fiction of African American Southern Women Writers. Florida State University. PhD 1999.

  • Proehl, Geoffry Scott. Coming Home Again: American Family Drama and the Figure of the Prodigal Son. Stanford University. PhD 1988. [Brief discussion]

  • O'Rourke, Joyce Williams. New Female Playwrights in the American Theatre, 1973-1983: A Critical Analysis of Thought in Selected Plays. Louisiana State University and Agricultural and Mechanical College. PhD 1988.

  • Palmer, Trudy Christine. "As Steady and Clean as Rain": The Function of Artistic Vision in Contemporary Afro-American Women's Fiction. Stanford University. PhD 1990.

  • Pressler, Terra Daugirda. Transformative Comedy: An Emerging Genre. University of Oregon. PhD 1988.

  • Raussert, Wilfried. Blues-Memory and Jazz Vision: The Historical Imagination in Selected Twentieth-Century African American Novels. University of Mississippi. PhD 1994.

  • Rountree, Wendy Alexia. The contemporary African-American female Bildungsroman. University of Cinninnati. PhD 2001.

  • Simms-Burton, Michele Lisa. Narratives of Black Bourgeois Desire: Examining the Class-Line in Twentieth-Century Black Women's Fiction. George Washington University. PhD 1998.

  • Splawn, P. Jane. Rites of Passage in the Writing of Ntozake Shange: The Poetry, Drama, and Novels. University of Wisconsin-Madison. PhD 1988.

  • Taylor Smith, Chandra Carmella. Earth blood and earthling existence: A methodological study of black women's writings and their implications for a womanist ecological theology. Vanderbilt University. PhD 2001.

  • Wattley, Ama Sayidda. Yonder comes the blues: Sexual politics, women's relationships, and the plays of contemporary black women dramatists. Rutgers the State University of New Jersey. PhD 2001.

  • Wood, Jacqueline E. Performance and African-American Women: Three Contemporary Dramatists. University of Florida. PhD 1998.

  • Young-Minor, Ethel A. "To Redeem Her Body": Performing Womanist Liberation. Bowling Green State University. PhD 1997.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH

    ANNA DEAVERE SMITH

  • Becker, Becky K. Collaborating Cross-Culturally With(Out) Ease: Negotiating Difference, Dialogue, and the Marked Body. Bowling Green State University. PhD 1998.

  • Cho, Nancy J. Staging Ethnicity in Contemporary American Drama. University of Michigan. PhD 1995.

  • Dixon, Kimberly Dawn. Taking place as we speak: The construction, expression and interpretation of black female identity in the careers of Regina Taylor, Anna Deavere Smith, and Suzan-Lori Parks. Northwestern University. PhD 2000.

  • Dawson, Gary F. American Documentary Theatre: In Content, Form and Stagecraft Since Martin Duberman's "In White America: A Documentary Play" (1963). New York University. PhD 1995.

  • Drake, Jennifer A. Arts Activism in America: Cultural Hybridity and Representation. State University of New York at Binghamton. PhD 1996.

  • Griffiths, Jennifer Lee. Traumatic possessions: The body and memory in multiethnic women's writing and performance. City University of New York. PhD 2002.

  • Highland, Nathalie M. Peforming the Single Voice: The One-Woman show in America. Bowling Green State University. PhD 1997.

  • Jordan, Julie Anne. Risking the real: Performance and reality on the contemporary American stage. City University of New York. PhD 2001.

  • Salz, Melissa. Theatre of Testimony: The Works of Emily Mann, Anna Deavere Smith, and Spalding Gray. University of Colorado at Boulder. PhD 1996.

  • Scholl, Linda Marie. Borderland identities: Community, difference, and hybridity in (multicultural) education. University of Wisconsin at Madison. PhD 2000.

  • Weatherston, Rosemary Illa. Turning the Informant: The Making of Difference in Twentieth-Century American Literature and Culture. University of Southern California. PhD 1999.

  • Young-Minor, Ethel A. "To Redeem Her Body": Performing Womanist Liberation. Bowling Green State University. PhD 1997.

    CARROLL CHILDRESSDOVE DUNBAR-NELSON GIBSON
    GOLDBERG GRAHAM GRIMKE HANSBERRY JOHNSON
    KENNEDY PARKS SANCHEZ SHANGE SMITH


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