women of color women of words
before it hits home



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by

cheryl l. west

PRODUCTION HISTORY

"Before It Hits Home" was first produced by the Arena Stage in Washington, D.C. in 1991.
Summary of the play

CHARACTERS

Wendal, Black male in his early 30s

Reba, Black woman in her 50s, Wendal's mother

Bailey, Black man in his late 50s, Wendal's father

Maybelle, Black woman in her 50s, Reba's best friend

Simone, Black woman in her early 20s, Wendal's lover

Angel Peterson, Black woman in her early 20s, woman in clinic

Douglass, Black man in his early 40s, Wendal's lover

Junior, Black male in his late 20s, Wendal's younger brother

Dwayne, Black boy, 12, Wendal's son

Doctor, White woman in her 40s or 50s

Nurse, a middle-aged Hispanic or Asian woman

** The following part is played by the above: Angel Peterson (should be played by whomever plays Simone) Two Attendants (Attendants can be used as part of the crew, but their primary actions are to assist Wendal on stage)

SETTING

The present.

PLAY STRUCTURE

Two acts and a prologue.

AUTHOR'S NOTES

There is a tendency to be seduced by the Bailey family, thus having the focus of the play be on them. This is not my intention. Wendal's two words-- before he gets home and after he gets home-- are equally important and at times, equally fractured. Douglass and Simone are not "social" character and should not be portrayed as such. The action shifts frequently and the pacing between scenes should be quick, and in some scenes (as noted), action juxtaposed. To expedite this, whenever possible, actors should remain on stage while other scenes are taking place and remain true to the overlapping dialogue in the play.

EXCERPT FROM THE PLAY

This section comes from Act I just after Wendal has learned that he is HIV positive. The scene makes literal the split in Wendal's world between two relationships. He is trying to tell his male lover, Douglass, that he has AIDS. At the same time his female lover, Simone, has found a ring and thinks Wendal is going to propose to her.

WENDAL: See, my mother is not the only one I have to tell. I'm trying to tell you....

DOUGLASS: Tell me what Wendal?

SIMONE: Tell me.

WENDAL: What?

SIMONE: Go 'head tell me. When were you planning to ask me? The answer is yes, yes, yes, yes.

WENDAL: I don't think we should see each other anymore. At least. . . not like. . . you know what I mean. . .

DOUGLASS: No, I don't know what you mean.

SIMONE: I found it. You know. . . .

WENDAL: Don't be so dense.

DOUGLASS: Well, talk English.

SIMONE: I wasn't snooping, not exactly. I was just straightening out your nightstand and I just happened across. . . . .

DOUGLASS: (pause) I knew this day was coming. Trust you to be creative in breaking the news. Fag jokes, no less. So, you decided to marry her, huh?

SIMONE: It's a tad expensive, but I'm sure it's really beautiful. (Hugs him.) I love you so much. All weekend I've been on cloud nine. When were you going to ask me?

WENDAL: Marry? I got AIDS Douglass.

PUBLICATION HISTORY

Colored Contradictions: An Anthology of Contemporary African-American Plays - Harry Justin Elam ed.


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