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04/06/2005

FOR IMMEDIATE RELEASE

The First Ramadan
An one Act Play by Ray Taalib-Deen

Contact Mahasin Shamsid-Deen
804-458-1986
KhansaaPoet@aol.com

I-ACT, Indigenous-American Culture Team, a team of Indigenous-American artists working together to cultivate the Indigenous Americans and all people through the arts, presents "The First Ramadan", an one act play by Ray Taalib-Deen.

I-ACT's Artistic Director, Ray Taalib-Deen Muhammad, whose Actors' Equity Association's stage name is Taalib-Deen was last seen on stage as Captain Ahab and Gonzago in the University of Richmond Players' productions of Moby Dick and The Tempest, respectively where he served as guest artist. He has been nominated twice for Best Actor Award in Regional Theatre, for his performances in The Colored Museum and The Angels of Lemnos.

The First Ramadan, written and directed by him deals with an Indigenous Muslim-American family. This coming of age story takes place in the mid-70's after the passing of the Honorable Elijah Muhammad. So begins a time of major changes in the beliefs and practices of NOI members by the new leader. In this play we see the family transition from the old Nation to the new World Community of Al-Islam in the West.

Many people witnessed the split in the African American muslim community that occurred at that time, but never knew why or what the effect was on the family. The First Ramadan is a historically accurate and nostalgic look at this metamorphosis and accurately captures the mood and language at that time. The story shares the love and pain of this cataclysmic event that has divided the Indigenous nation of American Muslims for 30 years.

This play is the 30th anniversary of this historical event and following each performance is a dessert reception featuring menu selections seen in the play.

The First Ramadan is playing May 6 & 7, 2005 at 8pm and May 8, 2005 at 4pm at the Richmond City Pine Camp Theatre at 4801 Old Brook Road, Richmond Virginia.

Adult tickets are $15/ Seniors & Students $12 each. Tickets are available at the door or by calling 804-458-01986 or emailing KhansaaPoet@aol.com



03/10/2005

Split Second

Karamu House, Inc.
2355 East 89th Street
Cleveland, Ohio 44106
Contact: Theatre Department
Phone (216) 795-7070 x 242

FOR IMMEDIATE RELEASE -Wednesday, March 9, 2005

Karamu Performing Arts Theatre announces the Midwest Premier of Dennis McIntyre's Split Second opening Friday, April 1, through Sunday, April 24, 2005 in the intimate Arena Theatre. This is the fifth production in Karamu's successful 2004/2005 season of Knocking Down Walls: Pain, Pride, Prejudice...and stereotypes. The play is directed by Artistic Director, Terrence Spivey, who staged for colored girls who have considered suicide/when the rainbow is enuf to huge raves and sell-out crowds this past Fall. Director Spivey takes his talented cast of actors, Kenny Parker, M. Scott Newson, Willie Gibson, Russell Brown, Richard Morris, Jr., Lisa Langford, Khalleelah Tate, and Van Johnson and transports them to the streets of New York City.

Split Second is an explosive encounter between a black Manhattan police officer and a white car thief on a hot 4th of July night in the streets of New York City. It was produced in New York Off Off Broadway by The Amistad World Theatre in 1984. From there it went on to a lengthy Off Broadway run and had its European premiere in Edinburgh, and was later presented in London, as well as several American cities. This sizzling play is a study of conflict between law and morality. (Contains adult language and situations parental discretion is advised)

Performances are 8:00 p.m. on Thursday, Friday and Saturdays and at 3:00 p.m. on Sundays.
Tickets are $8.00 on Thursdays, $12.00 Friday, $14.00 Saturday & $10.00 on Sundays
No discounts on Thursday Night Tickets
Preview Nights cost $5.00; Preview Nights are March 30th and 31st. @ 7:30PM

For more information contact Karamu޲s box office at 216-795-7077 ext 226.

And don't forget:
What: A Moment with the MU
Where: Karamu House, 2355 East 89th Street
When: Monday, March 28, 2005, 5:00 pm - 6:30 pm, FREE

  • Meet the Split Second cast, designers, and director in the Concert Hall.
  • Get up close and personal about their process with the production before opening night. Free to the public and media. (Refreshments served)
  • PLEASE RSVP at 216-795-7070 ext. 242 for A MOMENT WITH THE MU on Monday, March 28th.
  • Seating is limited. Refreshments served.

Karamu's theatre productions are sponsored in part by The Cleveland Foundation, The George Gund Foundation, and The Ohio Arts Council.


03/09/2005

BLACKEN BLUES PLAYWRIGHT THEATER

Blacken Blues Theater will host a series of play readings at the African-American Museum on March 18 - 20, 2005. The readings are designed to showcase works about African-American life and culture. African-American playwrights such as Diane Tucker, Teresa Wash, Linus Spiller, and Willie Holmes will be featured. This is an excellent opportunity to preview upcoming productions by the areas best playwrights. Blacken Blues Theater primary mission is to produce new plays and add cultural diversity to the theater landscape in the Dallas and surrounding areas. The Playwright Theater is a first step in creating a regular play reading series to develop plays by professional and aspiring African-American playwrights. This event is free to the public.

PLAYWRIGHT THEATER SCHEDULE

Friday          7pm  Girl Friends (Dianne Tucker)
Saturday        2pm  Untitled Play (Tersa Wash)
Saturday        3pm  Sexually Yoked (Willie Holmes)
Saturday        4pm  Twisted  (Linus Spiller)
Sunday          2pm  A Heaven For A ޳G޴ (Willie Holmes)

Blacken Blues Theater's Playwright Theater
March 18 - 20, 2005

African-American Museum
Fair Park Complex, Dallas, TX

Free to the Public


07/03/05

CALL FOR SUBMISSIONS

Postmark Deadline: Friday, April 1, 2005

The ENVISION Retreat
July 17-31, 2005
Bard College, Annandale-on-Hudson, New York

Voice & Vision is looking for projects initiated by women theater artists including performers, directors, writers, designers and groups of collaborators

Voice & Vision Theater's annual summer retreat offers selected participants an artist-centered workshop environment where they can develop projects with women at the core. Voice & Vision provides ample rehearsal space on the Bard College campus, dramaturgical support, round-trip transportation, housing, a daily stipend and most meals. The ENVISION retreat affords each artist a highly focused workspace and opportunities to informally present their works-in-progress.

Projects will be chosen to reflect a broad range of aesthetic and cultural perspectives. Past Retreat participants include Ruth Maleczech and Mabou Mines, Kia Corthron, Estelle Parsons, Olympia Dukakis, Yeardley Smith, Lola Pashalinski, Lynn Nottage, Chiori Miyagawa, Caridad Svich, Kristen Marting, Karen Hartman and Theodora Skipitares.

Submission Guidelines:

Please send TWO COPIES OF THE FOLLOWING:

  • Your script, if available (if not, excerpts are acceptable, or an earlier script)

  • A one-page description of your project and its current stage of development (we do consider projects at very early stages of development as well as projects much farther along), including a statement of your particular goals for the ENVISION Retreat

  • The number of project participants, including all collaborators and number of actors, needed for the Retreat.

  • Resumes of any project participants already connected to the project, whom you would like to bring to the Retreat (we do not expect or require that you already have your creative team together, we just need to know if you do).

  • Any special equipment, practical or technical needs.

  • Names and phone numbers of three professional references.

  • You may also include ONE COPY of a video of your project as a supplement to your application

  • ONE $15 check payable to Voice & Vision to help offset the costs of circulating scripts among readers.

    Decisions will be announced by May 13, 2005

    For more information email vandv@vandv.org

    Send submissions (and checks) to:
    Voice & Vision, Attn: ENVISION
    520 8th Avenue, #308
    NY, NY 10018


    08/02/05

    ATTENTION PLAYWRIGHTS!!

    In our continued effort to promote plays and playwrights which often fly under the radar, Alarm Clock Theatre Company is sponsoring their First Annual Playwriting Contest.

    Prize: Fully produced, 3 week run of winning play at a Boston area theater in 2006.

    Guidelines:

    • The play must be an original work, and not previously produced or published
    • The play itself must be written in English
    • The play must be a full length production (One-Acts and shorts will not be considered) written in 12 point Times New Roman font and a minimum of 85 pages
    • There are no restrictions regarding theme or genre, although children's plays are discouraged
    • Send a photocopy of your manuscript, not the original (Manuscripts will not be returned)
    • Manuscripts will be judged anonymously. Entries must include two title pages: one with the author's name, address, email address and telephone number; and one with a title and no information as to author
    • The author's name must not appear anywhere on the play's manuscript
    • Manuscripts must be submitted in hard copy, preferably bound only with a clip or rubber band. Do not staple or permanently bind your manuscript
    • A reading fee of $15 in US funds (check made payable to Alarm Clock Theatre Company) must accompany each manuscript
    • Manuscripts must be postmarked no later than May 1, 2005
    • Finalists in the 2005 Alarm Clock Theatre Playwriting Contest will be notified of their status in July 2005. At that time they will be asked to provide a brief biographical statement that includes information on publications and relevant experiences with theatrical productions
    All submissions and other correspondence should be addressed to:

    Alarm Clock Theatre Company
    17 Norris Street
    Cambridge, MA 02140

    For more information, send an email to info@alarmclocktheatre.org

    Alarm Clock Theatre Company is a 501 (c) 3 non-profit organization


    02/07/2005

    Decolonizing the University: Women of Color in Arizona Higher Education
    The 5th Annual Women of Color Conference

    Registration is open and free!

    Conference Program
    Themes and Topics include:

    • Women of Color and Multiple Identities
    • Laboring in the University
    • Multicultural Centers and Spaces of Empowerment
    • Dangerous Scholarship
    • Decolonizing Pedagogy: Women of Color in Science, Engineering, and Technology
    • Women of Color and Cultural Production
    • Women of Color and Spirituality
    • The Color of Feminist Theory: Beyond Isolation and Exclusion
    • Women of Color Activism and Collaboration
    • Feminist Responses to the War on Terror
    • What Can We Do? Responding to the 2004 Election and the Morality Agenda
    • Counseling Women of Color
    • Academic Activism for Social Justice
    • Sexuality: The Final Frontier?
    • Affirmative Action: Needs and Issues
    • Women of Color in Arts and Literature



    19/01/05

    National Black Theater Festival's Readers' Theatre of New Works

    One of the integral components of the National Black Theater Festival is The Readers' Theatre of New Works. The series is designed to showcase works by playwrights of color that have not been publicly produced. Garland Lee Thompson, Executive and Artistic Director of the Frank Silvera Writers' Workshop, is the curator of the series. The Readers' Theatre showcases 30 to 35 original works written by renowned and aspiring playwrights and read by professional actors and celebrities attending the Festival for an audience of theatre professionals, scholars and the general public.

    The script must be a work that has not been publicly produced. Forward one script (one acts or full-length plays) to:

      The Readers' Theatre Series
      c/o Frank Silvera Writers' Workshop
      PO Box 1791
      Manhattanville Station, NY 10027

      AND to

      Readers' Theatre Series
      National Black Theatre Festival
      610 Coliseum Drive
      Winston-Salem, NC 27106.

    All submissions must be received no later than May 31, 2005 (We are requesting a deadline day change, due the large number of submissions).

    All scripts should be:

      typed
      Times Roman or Arial font - 12 pt.
      double spaced.

    Three-hole punch each script and bind in a booklet form. Please do not staple. Include a self-addressed, stamped postcard so we may acknowledge receipt of your script.

    For further information, please contact Garland Lee Thompson at (212) 281-8832 or e-mail playrite@earthlink.net. For additional information about the Frank Silvera Writers' Workshop visit their web site - www.fsww.org


    Juneteenth Jamboree

    Juneteenth Legacy Theatre, Kentucky's only professional African- American theatre company, seeks playscripts that celebrate the African-American experience from established and emerging playwrights for its annual Juneteenth Jamboree, hosted by Actors Theatre of Louisville, June 3-19, 2005.

    The submission period is Dec. 15, 2004 - April 15, 2005. There are no restrictions regarding script length, number of characters, or genre; however the plays must address at least one of five themes. They are:

      1) the 19th-century African-American experience
      2) pre and Harlem Renaissance Era
      3) Caribbean and Native-American influences on African Americans
      4) contemporary issues and African-American youth, and
      5) images of women.

    The Jamboree, a 3-weekend festival of staged readings, is the company's signature program, and all works produced in the company's seasons originate at the Jamboree. Please visit our website, www.juneteenthlegacytheatre.com to get a better sense of the company's production interests.

    Authors should send 3 hard copies of their scripts (no electronic transfers) to:

      JLT c/o Lorna Littleway
      POB 3463
      Louisville, KY 40201-3463,

    and

    1 hard copy to:

      605 Water St. #21B
      N.Y. N.Y. 10002.

    A $15 script processing fee, payable by check or money order made out to JLT, must accompany the script mailed to the New York City address. Playwrights should identify which theme their work addresses and provide a character breakdown, SASPC, and SASE for confirmation of receipt of script and return.


    Edwin Forrest Playwrighting Competition

    The Walnut Street Theatre Producing Artistic Director Bernard Havard announces that the theatre will hold the Edwin Forrest Playwrighting Competition to commemorate the 200th Anniversary of the Birth of Edwin Forrest, the country's first great leading actor. The contest gives playwrights a chance to write an original work about Forrest and his persona.

    The theatre will begin accepting entries between January 1, 2005 and June 30, 2005. The winner will receive $5000, a full production in the 2006 Walnut Street Theatre Studio Season, and a full residency during production and rehearsal of the play. There will be a $500 award for Developmental Honorable Mentions.

    Forrest made his professional stage debut at Walnut Street Theatre in 1820 and was the first actor/producer to commission an American playwright to script a new work. "We are thrilled to honor such a legend this way," said Havard. "Edwin Forrest is such a part of our history to bring him back to our theatre in a creative way will continue to make him known for our current audience. We feel it is especially important to honor him with a playwriting competition that will result in a new American work, since it holds true to what he stood for as an artist."

    Inquiries about the contest can be made over email to literary@wstonline.org.

    Entries can be sent to:

      Edwin Forrest Playwrighting Competition
      Walnut Street Theatre
      825 Walnut Street
      Philadelphia, PA 19107.

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