women of color women of words
alice childress



alice childress Wedding Band: A Love/Hate Story in Black and White



1920-1994

BIOGRAPHICAL INFORMATION

Alice Childress was born October 12, 1920 in Charleston, SC, but moved to and attended public school in Harlem. In 1940 she joined the American Negro Theatre in Harlem; she acted and was part of the technical staff. A year later she became the director of the ANT, a position she held until 1952, during which time she acted in a number of productions. To earn money during these years she worked as an apprentice machinest, governess, saleslady, and insurance agent.

The American Negro Theatre presented her first play Florence in 1949, followed a year later by Just a Little Simple. Her first play produced outside of Harlem, Trouble in Mind won the 1956 Obie award for best original Off-Broadway play.

As well as leading a fufilling life as a playwright, novelist, actress, and director, Childress lectured at Fisk University and Radcliffe. She was also an award-winning children and young adult book author. Of note are her novels, A Hero Ain't Nothing but a Sandwich and Rainbow Jordan (1982). The first woman to win an OBIE Award and the first black woman to have a play produced professionally on Broadway, Childress died on August 14, 1994 of cancer. She was 77 and lived in Manhattan.

PLAYS

Florence-1949
First produced in NYC at The American Negro Theatre; directed by and starring Childress.
Just a Little Simple-1950
Based on Langston Hughes' short story collection Simple Speaks His Mind; first produced in NYC at The Club Baron Theatre.
Gold Through the Trees-1952
First produced at The Club Baron Theatre, NYC.
Trouble in Mind-1955
First produced off-Broadway at Greenwich Mews Theatre; directed by Childress.
Wedding Band: A Love/Hate Story in Black and White-1966
First produced at the University of Michigan; off-Broadway premiere at The New York Shakespeare Festival Theatre in a production directed by Childress and Joseph Papp, September 26, 1972.
String-1969
Based on Guy De Maupassant's "A Piece of String"; first produced off-Broadway at St. Mark's Playhouse.
Mojo-1970
Produced in NYC at New Heritage Theatre.
Sea Island Song-1977
First produced in Charleston, SC; produced under the title "Gullah" at the University of Massechusettes, Amherst in 1984.
"Moms: A Praise Play for a Black Comedienne" 1986
Based on the life of Jackie "Moms" Mabley; first produced by Green Plays at Art Awareness; produced off-Broadway at Hudson Guild Theatre, February 4, 1987.

AWARDS

Trouble in Mind
Obie Award, 1956
A Hero Ain't Nothing but a Sandwich
an ALA Best Young Adult Book of 1975; Lewis Carroll Shelf Award, 1975
Jane Addams Award for a young adult novel, 1974
Rainbow Jordan
Honorable Mention, Coretta Scott King Award, 1982

CRITICAL/BIOGRAPHICAL RESOURCES

For full citations of the books listed, follow the links to Critical Resources Page

Books marked with book covers or a are linked to an Amazon.com record.

African American Women Playwrights: A Research Guide

Afro-American Writers after 1955

Black American Writers

Black Writers

Black Theatre, U.S.A.

Black Women Writers (1950-1980)

The Cambridge Companion to American Women Playwrights

Children's Novels and the Movies

Children's Literature Review v.14

Contemporary African American Female Playwrights

Contemporary Black American Playwrights and Their Plays

Contemporary Literary Criticism v.12 and v.86

Contemporary Women Dramatists

Conversations with Toni Morrison

Dictionary of the Black Theatre

Dictionary of Literary Biography v.7

Drama Criticism v.4

The Female Dramatist

Interviews with Contemporary Women Playwrights

Literature for Today's Young Adults

Masterpieces of African-American Literature

Masterplots II

Negro Playwrights in the American Theatre: 1925-195

Nine Plays by Black Women

Oxford Companion to African American Literature

The Playwright's Art: Conversations with Contemporary American Dramatists

Staging Difference: Cultural Pluralism in American Theatre and Drama

Twentieth-Century American Dramatists

Voices of the Black Theatre

SELECTED ARTICLES ABOUT THE AUTHOR

  • Achilles, Jochen. "Allegory and Iconography in African American Drama of the Sixties: Imamu Amiri Baraka's Dutchman and Alice Childress's Wine in the Wilderness." American Studies. 45(2):219-38. 2000.

  • Holloway, Clayton G. "The Alembic of Genius: An Interview with Alice Childress." Xavier Review. 17(1):5-22. 1997.

  • Shinn, Thelma J. "Living the Answer: The Emergence of AFrican American Feminist Drama." Studies in the Humanities. 17(2):149-59, December 1990.

  • Brown-Guillory, Elizabeth. "Black Women Playwights: Exorcising Myths." Phylon. 48(3):229-239. 1987.

  • Brown-Guillory, Elizabeth. "Alice Childress: A Pioneering Spirit." Sage: a Scholarly Journal on Black Women. 4(1):66-68. 1987 Spring.

    Anderson, Mary Louise. "Black Matriarchy: Portrayal of Women in Three Plays." Nalf. 10:93-95. 1976.

  • Turner, Beth. "Simplifyin': Langston Hughes and Alice Childress Re/member Jesse B. Semple." The Langston Hughes Review. 15(1):37-48. 1997 Spring.

  • Holliday, Polly. "I Remember Alice Childress." The Southern Quarterly. 25(3):63-65. 1987 Spring.

  • Austin, Gayle. "Alice Childress: Black Woman Playwright as Feminist Critic." The Southern Quarterly. 25(3):53-62. 1987 Spring.

    RESEARCH CENTERS

    The Schomburg Center for Research in Black Culture

    The Hatch-Billops Collection


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